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” Ann Veronica agreed, and tried to make the manner of her assent cover a possible knowledge of a probable poem. She moved then, fast, taking refuge behind a Chinese screen that was set beside the four-poster at the back of the room. The music took hold of her slowly as her eyes wandered from the indistinct still ranks of the audience to the little busy orchestra with its quivering violins, its methodical movements of brown and silver instruments, its brightly lit scores and shaded lights. There is turmoil, shouts, cries, jostlings, milling congestions that suddenly break and flow in opposite directions.

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