Hill. “I heard the other day that she’d been taken in by some cad of a fellow who was cutting a great dash in Paris, personating Meysey Hill, the great railway man. Each became frightfully aware of the other as a plastic energetic body, of the strong muscles of neck against cheek, of hands gripping shoulder-blade and waist. None of the things they said and did were altogether new to Ann Veronica, but now she got them massed and alive, instead of by glimpses or in books—alive and articulate and insistent.
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