But also this must not go on. The houses loomed progressively larger as one strode up the block, growing from ranch to two-story, from squat 1950's modern to stately 1890's palace. “There is no—Good God!” he exclaimed. Her name is Lucia, she works in the Alberti Yarn Shop, across from Florestano the Butcher!” I happily rewarded her with a shiny new Florin and sent her off. I wonder why on earth the curtains are drawn.
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