Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Some day I'm going to paint her; but that will be when I've retired. ’ ‘You need not be a nun,’ he said, leaning towards her. The man pulled up. She felt he would tell people the way, control traffic, and refuse admission to public buildings with invincible correctness and the very finest explicit feelings possible. She would look up, shake her head, and then go back to her reading or crewelwork. At times he seemed to be claiming pity from her; at times he was threatening her with her check and exposure; at times he was boasting of his inflexible will, and how, in the end, he always got what he wanted. And there's your liver.
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