Her ideas of women’s employment and a modern woman’s pose in life were based largely on the figure of Vivie Warren in Mrs. 1. At a little distance from the party, sat a tall, sinister-looking personage, with harsh inflexible features, a gaunt but muscular frame, and large bony hands. “Slavery! Downtroddenness! When I think of it I feel all over boot marks— men’s boots. Say, that girl fooled me at first glance. The doll she had never owned, the cat and the dog that had never been hers: here they were, strangely incorporated in this sleeping man. But from the first her rather old-fashioned conception of life had jarred with the suburban atmosphere, the High School spirit and the memories of the light and little Mrs.
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